Diego Velazquez
Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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Diego Velazquez Queen Mariana (df01) oil painting


Queen Mariana (df01)
c 1656-1657
Painting ID::  22600
Diego Velazquez
Queen Mariana (df01)
c 1656-1657
   
   
     

Diego Velazquez Infanta Maria Teresa (df01) oil painting


Infanta Maria Teresa (df01)
1652-1633
Painting ID::  22601
Diego Velazquez
Infanta Maria Teresa (df01)
1652-1633
   
   
     

Diego Velazquez Infanta Margarita (df01) oil painting


Infanta Margarita (df01)
1653
Painting ID::  22602
Diego Velazquez
Infanta Margarita (df01)
1653
   
   
     

Diego Velazquez Queen Mariana (df01) oil painting


Queen Mariana (df01)
1652-1653
Painting ID::  22603
Diego Velazquez
Queen Mariana (df01)
1652-1653
   
   
     

Diego Velazquez Queen Mariana (df01) oil painting


Queen Mariana (df01)
c 1655-1656
Painting ID::  22604
Diego Velazquez
Queen Mariana (df01)
c 1655-1656
   
   
     

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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